Preparation for sandblasting- Shannon painting PVA on window glass.
There were some overlaps between Shannon's ceramics and glass and my coldworking techniques but I found it really beneficial to learn the proper ways of doing things in a glass workshop and loved learning about fusing glass.

Pulling apart moulds from the kiln
My favorite technique involved making impressions cast from plaster moulds using botanical specimens and moulds made from silpression and silver/copper. We filled the cavities using pate de verre (glass paste made from tiny grains of glass), glass powder and sheets cut to size. It was quite a magical process with pieces of non-descript plaster and greyish glass granules disappearing in the kiln overnight to emerge in the morning, melted flat and brightly coloured. Of course firing schedules were carefully planned and numerous technical and safety procedures observed but there were some truly magic moments breaking the glass from the plaster.

The massive turbine room in the Glassworks- a converted powerstation.
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