Showing posts with label prototype. Show all posts
Showing posts with label prototype. Show all posts

Saturday, May 8, 2010

Thirst


I'm working on the scribbly gum for the wallum project. Rebecca made me some metal plates etched with impressions taken from out photos of the wallum. After the yunomi were thrown I re-dampened them by the highly technical process of putting them in a plastic box with a wet plaster slab in the bottom of it overnight and then used the rounded end of a rolling pin to press the bases of the yunomi onto the etchings from the inside.
These are the second incarnation of this design and the third incarnation will be pared back further. I'll keep going until the pure essence of the bush is distilled into the drawing. Until picking up these yunomi captures first the smoky rays of sun touching the tops of the eucalyptus, the cool damp smell of the dew and the "wheeeeeeee- CRACK" of the whip bird's call.
As tea drinking vessels these pots will be handled a lot. From the setting of the table through to the washing up a drinking vessel constantly interacts with the body and brain of the user. It needs to be stimulating yet calming. Sometimes I feel like having a cup of tea is a tiny island of calm in the midst of a chaotic world. It is really important to me that the drinking vessel is the focus of this expanding circle of calm, yet leads the mind to wander in a creative direction. Having a cup of tea is not just for quenching physical thirst.

Tuesday, January 26, 2010

Wallum Vessels- deeper water

"It took me four years to paint like Raphael, but a lifetime to paint like a child. "
Pablo Picasso
The "vessel" is a form of enormous significance in ceramics. What distinguishes a vessel is its ability to contain something. These vessels are embryonic, they are carriers for an idea about the wallum. Prototypes, fragile, ugly, often contain a germ of an idea that continues, untouched through the creative process.

Picasso said we should all learn to draw like children, by this he meant let go of learned, technical skill and capture the joy of sensation, colour, form and wild imagination. It is really hard to do, I take refuge in skill, feeling that if something doesn't quite capture the fleeting, glimpse I had in the original inspiration then at least it will be beautiful because of the skill. I keep letting go "just a little bit" - which is an oxymoron. I have to trust that these funny little vessels will be able to carry me beyond the safety of technical skill and into the wild blue sea.