Showing posts with label impressions. Show all posts
Showing posts with label impressions. Show all posts

Thursday, April 29, 2010

Not quite symmetrical

These wallumy earrings are made by smoodging tiny porcelain coils flat which are then pressed into clay and silicone molds made from direct impressions from nature. Then they're painted, sponged and fired. Finally pairs silver hooks are made.
Pierced ears anyone?

Monday, April 26, 2010

Clay workshop

A few weeks ago I visited Shannon's Maleny studio and she worked on some scribbly gum designs with bases pressed into the brass etchings. The damp clay took the shallow impressions rather well.

We also made these impressioned porcelain danglies from clay and silicone impressions taken from the wallum. It was challenging working in the clay but eventually I moved past the wet sticky mess phase!
I'm now seeing if I can make them work as jewellery. It is all rather exciting and experimental!

Tuesday, January 26, 2010

wallum "hatpins" impression

This is the first wallum work out of the kiln. This works directly from wallum impressions- in this case of a small plant called "Hatpins" and a tiny banksia with roots. I pressed the plant directly into the clay and fired it , the plant matter was burnt off in the firing. The glaze is an oxidized celadon.

I've always loved those old- fashioned museums where there are row upon row of pressed, dried and stuffed specimens. Collecting wallum impressions makes me think of those enormous, dusty collections. The thing that galvanised the Victorians to create such collections was curiosity. The collection was just a representation of the unknowable mystery and greatness of the world. I think that's what I like most about this crazy collecting. Instead of illuminating the world and making everything clear, a collection of dried flowers or stuffed birds illuminates the mystery in human beings as well as the mystery in Nature.


Sunday, October 25, 2009

Goenpul - People of the Pearl Shell


We spent the weekend at Stradbroke Island.
Words cannot encompass how beautiful and inspiring this was. We did a cultural/archeological/botanical tour with Shane Coghill of the Goenpul tribe- the People of the Pearl Shell. Shane took us right into the wallum on the narrow tracks made by wallabies. All around us was the stiff tangle of leucopogon, leptospernums, sedges and Dianella. As we looked into the heart of a clump of reeds for lizard eggs I noticed a Forked Sundew on it's long spindly stalk reaching through the blades towards the sun.
Shane took us along an old road shaded by the huge Bloodwood trees, there was an eagles nest , big enough to house human children balanced high up.
We took a lot of impressions in clay and our weird resin products. We took a lot of impressions in our impressionable brains, ancient stories, vegetation, dried leaves stippled shadows , in that strange, filtering, creative, process.